名利場讀后感
2024-01-14 名利場讀后感
最新名利場讀后感分享。
“名利場讀后感”是迷你句子網編輯在網絡上整理并加工的內容，無論讀多少次作者寫的作品，心里都會有很多想法。 撰寫讀后感是總結、思考和沉淀閱讀成果的過程，您知道如何為作品寫一份真實的讀后感呢？請您將本頁加入收藏夾以便下次閱讀和分享！
“名利場讀后感”是本編整理并加工，迷你句子網編輯在網絡上進行了處理。不論重新閱讀作者的作品多少次，內心總會涌動著一股思考。撰寫讀后感是對閱讀成果進行總結、思考和沉淀的過程。您是否知道如何為這作品寫一篇真實的讀后感呢？請將本頁添加到收藏夾，以便下次閱讀和分享！
名利場讀后感 篇1
看完一本名著后，大家心中一定有不少感悟，需要好好地就所收獲的東西寫一篇讀后感了。你想好怎么寫讀后感了嗎？下面是小編為大家收集的英文名著名利場讀后感，僅供參考，歡迎大家閱讀。
vanity fair
during the period of winter holidays, i have read a novel "vanity fair ".main circumstance of novel may divide two clues. a clue depicts the deceased poor painter's daughter becky after leaving pingkedun woman boarding school , stays temporarily at rich family miss amelia home, but she try to seduce amelia 's elder brother to enter good society. after this matter failed, becky comes to pitt crawley’s home as family teacher, at the same time she plays some cute means such as being unctuous, and ganging with to good use. but when pitt makes a proposal to becky after losing spouse,she has already married knight's son rawdon. another a clue write pure girl amelia being deeply in love of the officer george osborne, surmounts all obstacles finally getting married with him . but her husband abandons her very quickly right away. amelia is spoony to george, even if after her husband died ,she still is unwilling to get remarried to others. final, becky tells the fact that george made an appointment with self to elope before one's death , amelia agree get married. becky be abandoned because personal relationship is found that by the husband afterwards. her old age gets a sum of inheritance from another lover joseph in hand, charities beginning to be enthusiastic in.
have to admit this story is very real. person inside the vanity fair is unable to see clearly , the vanity fair is external person same be unable to see clearly. somebody all longs for money , position. once you have owned one kind among them, the other person all pays special regard to you. the dobbin uses a lifetime love to have waited till his loved one , he dedicates his youth and time to the pitiful people in vanity fair. but, the final is good . i think the author can’t bear to let good person suffer hardships , the kind people has got happiness , has come in and gone out of in the vanity fair. those are avaricious , selfish , foolish , proud, a man of no scruples has got due retribution. have looked at several time with final., a little bit happy , a little bit grieved. this is not only a novel , this is a society in miniature. it is not just in the united kingdom at that time, it is also in today. who is not encumbered with the fame and fortune? the others are based on this. while the material life problem does not solve, whom does go after a kind of fabulous pure ideal? therefore, the purpose that the college student studies has become a job , working is to have a portion to be able to let person look upon one with special respect live. certainly, this does not alternate , we all are a chessman that destiny hits the target personally. be considering self social status , be considering how to go to raise self social status. people is able to go to adore other people only , talking those prominent persons, your about goes and not composing , will there is somebody go and composing.
vanity fair , how can we come in and go out of in this place , how to face this local , everybody is all ignorant in the novel selfish , eager for fame and fortune, end up efforts for nothing.
author thackeray draws a lifelike tableau of the vanity fair inrealityin the novel , life middle is betrayed deceiving and blackmailing each other , cheating , snobbish vanity waits for ugly action to show most incisive. the author writes road finally: "oh! vanity in vanity! whom do we there be to be happy woollen cloth on this world? whom have we had to accomplish everything according to one's wishes? but even if so-called, whom does there be to have satisfied woollen cloth "?
名利場讀后感 篇2
《名利場》的故事以兩條線索展開，從同一個起點出發，相互交織，最后到達同一個終點。
其中一條線索是阿米莉亞·塞德利，一個生活在富裕家庭的善良笨拙的女人；另一條線索是麗貝卡·夏普，一個聰明、自私、放肆、貧窮的孤兒。
1813年，他們乘坐同一輛馬車離開平克頓女子學校。兩人都在遭到家庭反對的情況下，于1815年結婚，分別嫁給即將參加滑鐵盧戰役的兩名英**官。
新婚不久，那場具有歷史意義的戰役打響了。阿米莉亞的丈夫死于戰爭；麗貝卡的丈夫在戰爭中幸存下來。接下來的十年中，而貝卡生活一帆風順，在社會的階梯上不斷攀升，直至有幸覲見國王，而阿米莉亞卻因父親破產承受著極大的不幸。
1827年，麗貝卡的生活陷入了毀滅的深淵，這實是至名歸的；阿米莉亞變得富有和幸福，這可以歸因于善良和善良。但是，作者以靈活的諷刺手法，使兩位女主角最后的命運歸于平衡，仿佛在一個大的輪回之后，回到故事開始時兩人命運的起點。
在故事中，滑鐵盧戰役是他們命運的重要分水嶺。戰役之前，故事的焦點是兩位女主角的婚事。他們的婚姻遭到了丈夫家庭的反對，他們得不到家庭的支持。他們的繼承權被取消了。
滑鐵盧戰役后，故事聚焦于兩位女主角的貞節。兩個三角關系分別展開。麗貝卡對丈夫不忠，與放蕩淫蕩的貴族史黛西侯爵勾結；阿米莉亞對死去的丈夫忠心耿耿，拒絕嫁給對她忠心耿耿十多年的多賓。
主要人物關系：
貝姬·夏普和阿米利亞·塞德利是同學和朋友
貝姬·夏普與羅頓·考利（考利家族最有可能的繼承人結了婚）是夫妻
艾米利亞·塞德利與迷人的軍官喬治是夫妻
喬治在戰爭中去世時，阿米麗亞嫁給了另一位曾愛過她的軍官
貝姬和斯坦恩勛爵有外遇，她被丈夫拋棄，但最后和愛米的哥哥在一起
兩人的婚姻都是不受家里人祝福的
主要人物情節：
主要情節可分兩條線索。一條線索描述了已故窮畫家貝姬的女兒，她離開平克頓女子寄宿學校，留在富有的愛米麗亞小姐家里，企圖引誘愛米麗亞的哥哥進入上層社會。此事失敗后，貝姬去畢脫·克勞雷爵士家當家庭教師，同時施展逢迎、拍馬和勾搭等乖巧手段。
當披頭士死后向蓓基求婚時，她已經秘密地嫁給了勛爵的兒子羅登。
另一個線索是，純潔的女孩愛米麗亞愛上了輕浮空虛的警官喬治·奧斯本，沖破重重障礙，最終嫁給了他。但丈夫很快就厭棄她，另尋新歡。愛米麗亞一味癡情，即使在丈夫死后仍不肯改嫁。
最后，貝姬說出了喬治生前要求自己私奔的真相，愛米麗亞嫁給了都賓。貝姬后來和又老又丑的斯坦勛爵有染，被丈夫**而被遺棄。
而斯滕誤以為羅登和妻子設局行騙，還和貝姬一起砍了一刀兩塊，于是貝姬就一落千丈。
但是貝姬本性是純善的就像她所說“如果有5000英鎊我也是個好女人”沒有5000她也是個好女人艾米麗亞的哥哥回來后認識到自己當年的錯誤最終和貝姬走到了一起
[edit] becky sharp
the heroine, or more correctly the anti-heroine, is an intelligent young woman with a gift for satire. she is described as a petite sandy haired girl who has green eyes and a great deal of wit. fluent in both french and english, becky has a beautiful singing voice, plays the piano, and shows great talent as an actress.
she is also ***pletely amoral and without conscience. she does not seem to have the ability to get attached to other people, and lies easily and intelligently to get her way. she is extremely manipulative and, after the first few chapters and her failure to attract jos sedley, is not shown as being particularly sincere.
never having known financial or social security even as a child, becky desires it above all things. nearly everything she does is with the intention of securing a stable position for herself, or herself and her husband after she and rawdon are married. she advances rawdon's interests tirelessly, flirting with men such as general tufto and the marquess of steyne in order to get him promoted.
she also uses her feminine wiles to distract men at card parties while rawdon cheats them blind.
marrying rawdon crawley in secret was a mistake, as was running off instead of begging miss crawley's f***iveness. she also fails to manipulate miss crawley through rawdon so as to obtain an inheritance. although becky manipulates men very easily, she does not even try to cultivate the friendship of most women.
lady jane, the dobbin sisters, and lady steyne see right through her. amelia and (initially) miss crawley are exceptions to the rule.
[edit] amelia sedley
amelia is becky's opposite: pale, passive, and emotionally devoted to her husband and son. she marries ge***e osborne against the wishes of ge***e's father, and when ge***e dies at the battle of waterloo she brings up little ge***e alone while living with her parents.
she is ***pletely dominated by her spendthrift father (who steals and sells the annuity ge***e's friends put together to try to support her) and her mother.
after ge***e osborne's death, amelia is obsessed with her son and with the memory of her husband. she ignores william dobbin, who courts her for years, and treats him shabbily until eventually he leaves. it is only after becky shows her ge***e's letter to her that amelia realizes what a good man dobbin is, although she has already written to him to ask him to ***e back.
she eventually marries dobbin.
[edit] rawdon crawley
rawdon, the younger of the two crawley sons, is an empty-headed cavalry officer who is his wealthy aunt's favorite until he marries becky sharp, who is of a far lower class. he permanently alienates his aunt, who leaves her estate to sir pitt instead. sir pitt has by this time inherited their father's estate, leaving rawdon quite poor.
the well-meaning rawdon has a few talents in life, most of which have to do with gambling and dueling. he is very good at cards and pool, and although he does not always win he is able to earn cash by betting against less talented gamblers. he is heavily indebted throughout most of the book, not so much for his own expenses as for becky's.
not particularly talented as a military officer, he is content to let becky manage his career.
although rawdon knows becky is attractive to men, he believes her reputation is spotless even though she is widely suspected of romantic intrigue with general tufto and other powerful men. nobody dares to suggest otherwise to rawdon because of his temper and his reputation for dueling. yet other people, particularly the marquess of steyne, find it impossible to believe that crawley is unaware of becky's tricks.
steyne in particular believes rawdon is fully aware becky is prostituting herself, and believes rawdon is going along with the charade in the hope of financial gain.
名利場讀后感 篇3
早在高中的時候，我就想，當我上大學的時候，我一定要去圖書館多泡泡?？墒堑任艺嬲洗髮W了才發現這只是一個幻想。當聽到我們外語學院要舉辦第一屆讀書節的時候，我真是相當高興，終于有一個可以讓我好好讀書的動力了。
一直以來看來我都喜歡那種令人滿意的結局，雖然算不上皆大歡喜，不過也夠令人為主人公歡呼喝彩的了。好人終究有好報，這估計是大多數英國作家所推崇的英國式的結局，不管中間主人公經歷過多少風風雨雨，到最后必然是雨過天晴。名著的精神自然希望能帶給人們美好的一面，也就是說，金子終究會發光。
以中國話來說就是，好人有好報吧，看來這一俗語，中西皆適用??！
屈指數來，這算是我看過的第二部跨越時間較長的小說了，雖然薩克雷沒有像羅曼羅蘭描寫約翰·克里斯多夫那樣描寫都賓和愛米利亞的一生，但既然這對好人終成眷屬，不僅擁有名位和財產，還擁有了子女和真誠的朋友們，接下來的歲月不用說讀者也能猜得出來，就是他們的幸福生活了，所以還是讓他們早早謝幕，不被外人打擾吧！
在我看來，這本書的情節不是很老套。雖然它不能擺脫舊的貧困到發展、發展到貧困、發展到貧困到發展、貧困到發展到貧困的道路，但它所描述的內容卻是多種多樣的。蓓基和愛米利亞在這部小說中是兩個不同的人。她們甚至是名利場上的兩個不同的方面。蓓基為了能在名利場上混個出頭之日，實在是使勁了花招。
我看著她一步一步朝著她期望的方向走去，不僅不為她高興，而且為她感到羞恥。我的厭惡一步步加深。據估計，大多數讀者都有類似的想法。對于并不喜歡鉆營，甚至有些傻里傻氣的愛米利亞，心中自是另一番情形。她甚至比都賓更誠實、更優秀，所以我認為沒有都賓她就不可能過上幸福的生活。
名利場對于她來說，實在是一部難讀的巨作。jZ139.cOM
雖然我不知道薩克雷把誰放在中間，也許愛米利亞，也許蓓基，也許都賓。至于美丑的區別，很清楚。這出戲告訴我們，美與丑的碰撞發生在現實中，在名利場，在你眼前。時代變了又變，但名利場依然是不變的。
現在我想，雖然我還是一個新生，但我很快就會踏入社會。既然我要去社會，我只擔心不能遇到都賓這樣的好朋友，也不擔心遇到蓓基這樣善于鉆研的人?，F實有多么美好，我實在說不清楚，如果要按照十分制的話，我估計能給個5分就不錯了。
薩克雷的戲劇從未中斷過。名利場終究會繼續上演。都賓、愛米利亞和蓓基只是許多人的代表。他們雖然去了，但會有更多的人來，包括你，我和我們的后代。
讀過《名利場》之后，我才知道為什么我們精讀老師說它實在是一部十足的好書。在我看來，這部小說的作者具有先知的能力，他的思想仍然適合時代的發展。
讀《名利場》，實屬我幸！
i had a dream when i was in high middle school.i thought that i would read many books when i entered university.but when i entered university i found that it just a dream.
after i heard that we shool of foreign language held the first activity of reading books,i felt very happy.i had the dynamic of reading books.i remembered that our teacher has recommended a book to us.
its name is vanity fair.so i downloaded the book from the internet.
after reading it, i found it really a good book. thoughts after i've read as follows.main circumstance of novel may divide two clues.
a clue depicts the deceased poor painter's daughter becky after leaving pingkedun woman boarding school , stays temporarily ata rich family miss amelia's home. but she tries to seduce amelia 's elder brother to enter good society. after this matter failed, becky comes to pitt crawley’s home as a family teacher, at the same time she plays some cute means such as being unctuous, and ganging with to good use.
but when pitt makes a proposal to becky after losing spouse,she has already married knight's son rawdon. another clue writes a pure girl amelia is deeply in love of the officer george osborne, surmounts all obstacles finally getting married with him . but her husband abandons her very quickly right away.
amelia is spoony to george, even if after her husband died ,she still is unwilling to get remarried to others. final, becky tells the fact that george made an appointment with self to elope before one's death , amelia agree to get married. becky be abandoned because her personal relationship is found that by the husband afterwards.
her old age gets a sum of inheritance from another lover joseph in hand. she begins to be enthusiastic in charities.
i have to admit that this story is very real.person inside the vanity fair is able to see clearly . external person of the vanity fair is the same to be able to see clearly.
somebody all longs for money , position. once you have owned one kind among them, the other person all pays special regard to you. the dobbin uses a lifetime love to have waited till his loved one , he dedicates his youth and time to the pitiful people in vanity fair.
but the final is good . i think the author can’t bear to let a good person suffers hardships. the kind people has got happiness , has come in and gone out of in the vanity fair.
those are avaricious , selfish , foolish , proud, a man of no scruples has got due retribution. this is not only a novel , this is a society in miniature. it is not just in the united kingdom at that time, it is also in today.
therefore, the purpose is that the college student studies has become a job , working is to have a portion to be able to let person look upon one with special respect live.
vanity fair is really a good book.i'm proud of i've read it.
名利場讀后感 篇4
>是十九世紀英國批判現實主義作家薩克雷的代表作。主題是批判資產階級金錢關系，揭露資產階級庸俗勢利的市儈主義，指出整個英國社會就是一個出賣名利虛榮的市場，正直善良一無用處，金錢是唯一主宰。作者對資產階級普遍的道德淪喪是痛心疾首的，然而這種批判卻帶有濃厚的悲觀主義色彩。
作品的主要人物有兩個，蓓基.夏潑和愛米麗亞。她們榮辱沉浮的不同際遇構成兩條平行交叉的情節線索，串起一幅幅五光十色的英國社會生活畫面。夏潑是一個資產階級冒險家和投機家的典型，她的性格特征是兩面三刀，口蜜腹劍，陰險狠毒而又潑辣能干。她的極端利己主義人生觀，她的頑強狠毒和魄力才干，她的冒險精神和厚顏無恥，追逐名利的勃勃野心，都體現了自由競爭時期資產階級的時代特征。她本是一個窮畫師的女兒，從小就深受學校和社會的岐視，屈辱的社會地位和世態炎涼扭曲了她的靈魂，爬進資產階級上流社會的欲望使她變得自私冷酷。這樣在仰慕虛榮和追逐金錢的社會風氣影響下，她迅速墮落成一個野心家和陰謀家，她決心靠美貌和陰謀，擠進上流社會，獵取財富和權勢。初登名利場，她的第一個目標就是資產階級闊少爺喬斯，她賣弄風騷，略施心計，很快使頭腦簡單的喬斯如醉如癡。就在兩人打得火熱的當兒，她又發現花花公子羅登有可能繼承一筆大遺產，于是她見風使舵，勾引羅登私奔，造成婚姻的既成亊實。緊接著，她又憑自己濃抹艷妝的姿色，引出一連串風流韻事，把達官貴人德夫托將軍和司丹恩勛爵一古腦兒拉進自己的懷抱。此時此刻，她有金錢，有權勢，有地位，有名望，高高在上，睥睨一切，成了紅極一時的上流社會的貴婦人，甚至還有幸覲見了至高無上的國王。作者充滿諷刺意味地寫道："經過這次大典，她就算聲名清白，好象御前大臣給了她一張德行完美的證書。"作者深刻地揭露了英國資產階級社會的金錢關系和極端的利己主義是如何象瘟疫一樣腐蝕毒害著人們的靈魂的，那里，公開的荒淫無恥受到人們的贊許，普遍的道德淪喪得到社會的鼓勵。副標題>說明整個資產階級都不可避免
名利場讀后感 篇5
這幾天，我一直在讀《名利場》這本書，它深深地吸引了我。它不僅教會了我虛榮心就像一個魔鬼，不顧一切地追逐名利和榮華富貴，換來的只會是一場空，還使我們真真切切地了解到19世紀英國社會的不良風氣，充分懂得了“浮華若夢”的意義。
在書的開頭，有兩個主要人物，麗蓓卡和愛米莉亞，一個富人一個窮人。除了金錢上的巨大差異外，所受到的待遇，以及性格上都有很大的不同。瑞蓓卡口蜜腹劍、兩面三刀、陰險狠毒，野心勃勃地追逐名利，是“金錢是唯一主宰”的思想，使她在學校、在社會都飽受歧視，人情冷暖扭曲了她的思想。
而愛米莉亞，一個有錢人家的孩子，到**都受人寵愛，成長路上幾乎沒有如何的困難阻擋著她，正因如此，她不需要努力就能進入上流社會，所以變得天真善良，甚至有點傻里傻氣。通過對這兩個人物的介紹，可以看出英國社會是一個追求金錢和榮譽的世界；也說明了追求名利不僅會毀了自己，還會毀了別人，正是所謂的“害人害己”。
我也認為這種不良氣氛不僅存在與19世紀的英國社會，現在也存在，無論它在**，都表現出這種氣氛。書中寫著，瑞蓓卡是一朵“飄零的落花”。可是，生活中處處都存在著一朵朵的“飄零的落花”，正是因為對生活的不服，對名利的不服，造就了她或者他們的追逐名利的腳步。
隨著故事情節的發展，瑞蓓卡看似一步步地要走向上流社會的同時（當然最后的結果就是虛榮覆滅），我并不開心，反而感到惡心、厭煩；而天真善良的愛米莉亞雖然遭遇了種種不幸，我也很同情她，但她總比瑞蓓卡要好的多，不用做那些拼盡全力卻還是竹籃打水一場空的事情。我想作者薩克雷一定也有同樣的想法。
終于到結局了，但卻并不如我所想：一般的**結局說不上十分圓滿，但至少也讓人欣慰?？墒?，在《名利場》里，雖然愛米莉亞最終和都賓過上幸福的社會，算不上是全部的悲劇，可是急功近利追逐名利的瑞蓓卡卻落得一場空，只好投身于慈善事業中……
這本書充滿了作者薩克雷對名利世界和虛榮社會的諷刺。可是，他何嘗又不是身在名利場中？瑞蓓卡、愛米莉亞、都賓都只是名利場中的幾個代表，你，我，他們，以后都會踏入名利場，踏入這個險惡的世界。
時代在變，而名利場永遠不變。世界人民，我們什么時候才能擺脫無邊無際的名利場？
名利場讀后感 篇6
名利場是一個浮華的世界，充滿了灰塵。它蒙蔽了人們的眼睛，固定在靈魂的頂端，永不散去。因此，人們總愛在名利場中為自己找一個漂亮、華美的位置，借此炫耀自己，于是便頭也不回地走入了那個浮華世界。：
《名利場》讀后感_
《名利場》讀后感_
名利場是一個浮華的世界，充滿了灰塵。它蒙蔽了人們的眼睛，固定在靈魂的頂端，永不散去。因此，人們總愛在名利場中為自己找一個漂亮、華美的位置，借此炫耀自己，于是便頭也不回地走入了那個浮華世界。
人們只是不斷地用各種力量推進所謂的上流社會，忘記了真情和友情。金錢和權利成了他們唯一的追求。然而金錢再多，權利再高，總是會有一個極限，而人的貪婪的心則永遠也無法填滿，誰也走不出這名與利所編織的網，它往往會掐住你的脖子讓你身不由己。
這是讀了薩克雷《名利場》所感受到的?！睹麍觥窋⑹鲆粋€失去了自己窮困潦倒的父親和法國舞蹈演員母親的女主人公蓓基，向往自己某一天能夠擁有那些19世紀初的英國社會的奢華生活，而由于自己低微的出身，在當時的壁壘森嚴等級制度的英國，這樣的想法只能是一種奢望，幾乎是不可能的，然而天生麗質的他，以堅韌不拔的精神，充分利用自己的聰明才智，在規則范圍內，成功運用一些常規與非常規手段征服了整個英國上流社會，在名利場中沉淪起伏，最終完成她自己的無所謂成功與失敗的人生體驗。作為陪襯的是她的同學女友，一個富商的女兒。
她懦弱而溫柔，順從地玩弄命運。從貧窮到富裕的道路并不平坦！富家女的運途亦多坎坷，兩人此起彼落的遭遇，構成一個引人關懷又動人情感的故事。
穿插的人物形形色色，都神情畢肖。薩克雷富譏智，善諷刺，《名利場》是逗趣而又啟人深思的**。
同時，我們必須承認這個故事是真實的。名利場的人看不清，外面的人也看不清。所有的人都渴望金錢，地位。一旦你有了其中一個，其他人會對你另眼相看。
薩克雷曾說過：“**的藝術是表現本質，即盡可能強烈地表達真實的情感?！睹麍觥吠ㄟ^情節說明“一切都是浮名浮利”，標題本身出自《天路歷程》。
他揭示了資本主義社會繁榮多姿多彩的面貌，讓人們看到了它的本質。薩克雷自己說過，他在《名利場》里要寫“一群極端愚蠢自私的人，不顧一切地為非作歹而又熱烈追求浮名浮利”，同時，他又說，書中所描寫的“全是死亡、爭吵、金錢和病痛”?！睹麍觥凡]有嚴密的故事結構，故事的內容基本上是由兩個女主人公利蓓加與愛米麗亞的生活道路串聯起來的。
愛米麗亞是一位資產階級小姐，而利蓓加則是個一無所有、在資本主義社會里渾水摸魚的女人，通過這兩個主人公的命運，薩克雷描繪出了當時上流社會中形形色色的眾生相。
這不僅僅是一部電影，更是一個社會的縮影。今天，人們仍然在名利場掙扎。他們心中的塵埃何時才能塵埃落定？
蓓基是渴望進入上流社會的典型例子。原來，她也是一個聰明漂亮的女孩，但名利已經把她帶走了。那名利場中的塵埃將她緊緊裹住，于是她變得虛偽、貪婪，也許在她動人親切的言辭背后，卻有著無人知曉的謾罵；也許在她美麗而真誠的微笑下，她有一把致命的刺刀。
誰能理解那種“善良”下藏著什么呢？蓓基?夏潑為了達到進入上流社會的目的，她利用自己的友誼、愛情、婚姻，又不惜出賣朋友，出賣丈夫來為自己鋪著通向那“高貴社會王國”的紅地毯，她那時真時假的形態，迷惑著窮人，卻也在玷污自己。
表面的熱情掩蓋不了內心的仇恨。再華麗的外衣，卻總掩飾不了丑惡的靈魂！人們認出她后，誰不吐唾沫恨她？
她的最好的朋友艾米莉婭最后也遠離她，丈夫也不理睬她，兒子不想見她，為一時的華麗與虛偽，她不知道自己付出了多么大的代價！
當名利有了千瘡百孔時，這才知道，在它最華麗的時候，竟有太多的虛偽，只因為當時我們在名利場上過于投入而不知，等到什么都看透，才知道所謂的名利不過是剎那煙花。掩卷沉思，生命中除了名與利還剩下些什么呢？也許，觥籌交錯，燈紅酒綠中，你會發覺你要的不僅僅是恭維、奉承，還需要一種坦然與真誠，只要善于發現，生活中比名利更重要的還很多很多，面對著寧靜的湖泊和茂密的森林，用一顆大智慧者的心，簡單地活著，簡單地思考，并不是為了名利而活，以出世的心情和入世的態度來體認善良、寬容、謙和、淳樸、友愛、和平與寧靜，尋找身體和心的歸宿，讓時光從你的身外從你的心內慢慢地流逝如水，從中領略生命的全部意義。
我國古代的讀書人,從上學之日起,就日誦不輟,一般在幾年內就能識記幾千個漢字,熟記幾百篇文章,寫出的詩文也是字斟句酌,瑯瑯上口,成為滿腹經綸的文人。為什么在現代化教學的今天,我們念了十幾年書的高中畢業生甚至大學生,竟提起作文就頭疼,寫不出像樣的文章呢?呂叔湘先生早在1978年就尖銳地提出:
“中小學語文教學效果差,中學語文畢業生語文水平低,……十幾年上課總時數是9160課時,語文是2749課時,恰好是30%,十年的時間,二千七百多課時,用來學本國語文,卻是大多數不過關,豈非咄咄怪事!”尋根究底,其主要原因就是腹中無物。特別是寫議**,初中水平以上的學生都知道議**的“三要素”是論點、論據、論證,也通曉議**的基本結構:
提出問題-分析問題-解決問題，但是很難真正開始寫作。知道“是這樣”,就是講不出“為什么”。根本原因還是無“米”下“鍋”。
于是便翻開作文集錦之類的書大段抄起來,抄人家的名言警句,抄人家的事例,不參考作文書就很難寫出像樣的文章。所以,詞匯貧乏、內容空洞、千篇一律便成了中學生作文的通病。要解決這個問題,不能單在布局謀篇等寫作技方面下功夫,必須認識到“死記硬背”的重要性,讓學生積累足夠的“米”。：
《名利場》讀后感_《名利場》讀后感_
名利場是一個浮華的世界，充滿了灰塵。它蒙蔽了人們的眼睛，固定在靈魂的頂端，永不散去。因此，人們總愛在名利場中為自己找一個漂亮、華美的位置，借此炫耀自己，于是便頭也不回地走入了那個浮華世界。
名利場讀后感 篇7
我慢慢到了一個遲鈍的階段，小說只是讀一下，卻不在有太多感想；并不會批判書中的負面典型人物，只不過是每個人的選擇不同而已。人與人之間不需要制造那么多界線，不存在絕對的道德律令，一方面從時間上來看：過去是道德的現在可能是不道德的，過去不道德的現在可能是道德；另一方面空間上來看：不同國家和民族對于道德的定義和范圍各不相同。從解釋的主體來看，不同人對于歷史事件解讀不同，賦予了歷史事件不同的意義。
這本書讀起來文筆樸實，蓓基和愛米麗亞是學生時代的好朋友，蓓基出身貧苦，一心想要在上流社會謀求一席之地；愛米麗亞家境殷實，善良，她只想著與自己的男友喬治過最普通的生活。蓓基與愛米麗亞一起離開學校，蓓基在愛米麗亞家居住一段時間后，去克勞萊爵士家當家庭教師。蓓基在愛米麗亞家居住期間，與愛米麗亞的哥哥喬瑟夫情投意合，由于地位差距，并沒有在一起。蓓基到克勞萊爵士家后，與克勞萊爵士的二兒子秘密結婚，婚姻并沒有為蓓基帶來她想要的名利和財富，蓓基與丈夫沒有經濟來源卻過上了出手闊綽的生活。蓓基依靠與不同男士周旋獲得一定財富，被丈夫發現后，與丈夫離婚，蓓基生活狀況越來越遭；日后蓓基在與喬瑟夫重逢后，嫁給了資產優厚的喬瑟夫。
由于愛米麗亞父親破產，喬治一家故意疏遠愛米麗亞，愛米麗亞心情沮喪。多賓是喬治的好友，多賓第一次看見愛米麗亞就愛上了她，多賓一心撮合愛米麗亞和喬治，最終喬治不顧家里人反對，與愛米麗亞結婚。結婚后，多賓和喬治作為軍人參戰，喬治不幸在戰爭中死亡，多賓承擔起照顧愛米麗亞和她兒子的責任。愛米麗亞在經濟拮據的情況下，照顧年邁的父母，年幼的兒子，時常與多賓通信，同時保持對于喬治的忠誠。多賓一人遠在外地軍營，時間兜兜轉轉，在多賓快要放棄愛米麗亞的時候，多賓回到了家鄉，尋找愛米麗亞。最終愛米麗亞放下對喬治的執念，與多賓在一起生活。
現實生活多多少少有與名利場相符的地方，事情的發展不總是隨人意，看人也無法看準，對未來的不確定性無法把控。
